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ITALY MARCH 2023
Italy Itinerary 2023
697-1797 AD Republic of Venice
1204 AD Captures Costantinople
1300's AD Most powerful
1453 AD Looses Constantinople
1797 AD Napoleon conquers
Today, there are numerous attractions in Venice, such as St Mark's Basilica, the Doge's Palace, the Grand Canal, and the Piazza San Marco.
Two of the most noted Venetian writers were Marco Polo in the Middle Ages and, later, Giacomo Casanova. Polo (1254–1324) was a merchant who voyaged to the Orient. His series of books, co-written with Rustichello da Pisa and titled Il Milione provided important knowledge of the lands east of Europe, from the Middle East to China, Japan, and Russia. Giacomo Casanova (1725–1798) was a prolific writer and adventurer best remembered for his autobiography, Histoire De Ma Vie (Story of My Life), which links his colourful lifestyle to the city of Venice.
Venice has a rich and diverse architectural style, the most prominent of which is the Gothic style. Venetian Gothic architecture is a term given to a Venetian building style combining the use of the Gothic lancet arch with the curved ogee arch, due to Byzantine and Ottoman influences. The style originated in 14th-century Venice, with a confluence of Byzantine style from Constantinople, Islamic influences from Spain and Venice's eastern trading partners, and early Gothic forms from mainland Italy. Chief examples of the style are the Doge's Palace and the Ca' d'Oro in the city. The city also has several Renaissance and Baroque buildings, including the Ca' Pesaro and the Ca' Rezzonico.
Venetian taste was conservative and Renaissance architecture only really became popular in buildings from about the 1470s. More than in the rest of Italy, it kept much of the typical form of the Gothic palazzi, which had evolved to suit Venetian conditions. In turn the transition to Baroque architecture was also fairly gentle. This gives the crowded buildings on the Grand Canal and elsewhere an essential harmony, even where buildings from very different periods sit together. For example, round-topped arches are far more common in Renaissance buildings than elsewhere.
Florence Renaissance story
59 BC Established by Julius Ceasar
1450-1527 AD Florence is center of Renaissance
1500's Home of the Medici
Their works, together with those of many other generations of artists, are gathered in the several museums of the town: the Uffizi Gallery, the Palatina gallery with the paintings of the "Golden Ages", the Bargello with the sculptures of the Renaissance, the museum of San Marco with Fra Angelico's works, the Academy, the chapels of the Medicis Buonarroti's house with the sculptures of Michelangelo, the following museums: Bardini, Horne, Stibbert, Romano, Corsini, The Gallery of Modern Art, the Museo dell'Opera del Duomo, the museum of Silverware and the museum of Precious Stones. Several monuments are located in Florence: the Florence Baptistery with its mosaics; the cathedral with its sculptures, the medieval churches with bands of frescoes; public as well as private palaces: Palazzo Vecchio, Palazzo Pitti, Palazzo Medici Riccardi, Palazzo Davanzati; monasteries, cloisters, refectories; the "Certosa". In the archaeological museum includes documents of Etruscan civilisation. In fact the city is so rich in art that some first time visitors experience the Stendhal syndrome as they encounter its art for the first time.
It has long been a matter of debate why the Renaissance began in Florence, and not elsewhere in Italy. Scholars have noted several features unique to Florentine cultural life that may have caused such a cultural movement. Many have emphasized the role played by the Medici, a banking family and later ducal ruling house, in patronizing and stimulating the arts. Lorenzo de' Medici (1449–1492) was the catalyst for an enormous amount of arts patronage, encouraging his countrymen to commission works from the leading artists of Florence, including Leonardo da Vinci, Sandro Botticelli, and Michelangelo Buonarroti. Works by Neri di Bicci, Botticelli, da Vinci, and Filippino Lippi had been commissioned additionally by the Convent of San Donato in Scopeto in Florence.
The Renaissance was certainly underway before Lorenzo de' Medici came to power – indeed, before the Medici family itself achieved hegemony in Florentine society. Some historians have postulated that Florence was the birthplace of the Renaissance as a result of luck, i.e., because "Great Men" were born there by chance: Leonardo da Vinci, Botticelli and Michelangelo were all born in Tuscany. Arguing that such chance seems improbable, other historians have contended that these "Great Men" were only able to rise to prominence because of the prevailing cultural conditions at the time.
The Medici were a powerful and influential Florentine family from the 13th to 17th century. There were four popes who were related to the Medici.
Pope Leo X (December 11, 1475 – December 1, 1521), born Giovanni de' Medici, was pope from 1513 to his death.
Pope Clement VII (May 26, 1478 – September 25, 1534), born Giulio di Giuliano de' Medici, was a cardinal from 1513 to 1523 and was pope from 1523 to 1534. He was a first cousin of Leo X.
Pope Pius IV (31 March 1499 – December 9, 1565), born Giovanni Angelo Medici, was pope from 1559 to 1565. However, he was only distantly related to the other Medici popes.
Pope Leo XI (June 2, 1535 – April 27, 1605), born Alessandro Ottaviano de' Medici, was pope from April 1, 1605, to April 27 of the same year.
Collectively they took a liberal view of their ecclesiastical duties. They supported the arts and even Copernician ideas. By the time of the conservative backlash, the Christian church had fragmented into Catholic and multiple Protestant factions, and the printing press made knowledge generally available. The Inquisition was unable to reimpose religious orthodoxy, and the Renaissance could not be reversed.
Romantic 4 villages on the Tuscany coast. Cinque Terre is mentioned in documents dating to the 11th century. Monterosso and Vernazza were settled first and the other villages grew later, whilst within the territory of the Republic of Genoa. In the 16th century, the inhabitants reinforced existing forts and built new defence towers to defend the area from attacks by the Turks.
PISA Leaning tower.
Construction of the tower occurred in three stages over 199 years. On 5 January 1172, On 9 August 1173, the foundations of the tower were laid. Work on the ground floor of the white marble campanile began on 14 August of the same year during a period of military success and prosperity. This ground floor is a blind arcade articulated by engaged columns with classical Corinthian capitals.
The tower began to sink after construction had progressed to the second floor in 1178. This was due to a mere three-metre foundation, set in weak, unstable subsoil, a design that was flawed from the beginning. Construction was subsequently halted for almost a century, as the Republic of Pisa was almost continually engaged in battles with Genoa, Lucca, and Florence. This allowed time for the underlying soil to settle. Otherwise, the tower would almost certainly have toppled. On 27 December 1233, the worker Benenato, son of Gerardo Bottici, oversaw the continuation of the tower's construction.
On 23 February 1260, Guido Speziale, son of Giovanni Pisano, was elected to oversee the building of the tower. On 12 April 1264, the master builder Giovanni di Simone, architect of the Camposanto, and 23 workers went to the mountains close to Pisa to cut marble. The cut stones were given to Rainaldo Speziale, worker of St. Francesco. In 1272, construction resumed under Di Simone. In an effort to compensate for the tilt, the engineers built upper floors with one side taller than the other. Because of this, the tower is curved. Construction was halted again in 1284 when the Pisans were defeated by the Genoese in the Battle of Meloria. The seventh floor was completed in 1319. The bell-chamber was finally added in 1372. It was built by Tommaso di Andrea Pisano, who succeeded in harmonizing the Gothic elements of the belfry with the Romanesque style of the tower. There are seven bells, one for each note of the musical major scale. The largest one was installed in 1655.
Classic walled structure.